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Since the successive functions in such music sometimes bear
only a secondary relation to each other, very skillful voice leading,
as in the Chopin example, is necessary in order that the progression
remains clear. From one point of view, there is no doubt at all that
this passage can be interpreted as a chromatic "working out" of the
A chord.
.begin verbatim
Example 66b. (Reduction of Example 66a. The doubling of the
highest part at the octave below is omitted.)
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However, the particular form the chromaticism takes in this
Mazurka also gives the unmistakable impression of a series of varied
harmonic functions.
For more examples of chords which have both contrapuntal and
harmonic significance we will turn to the opening of Schubert's
%2Quintet in C%1, Op.163.